Category Archives: Review

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Cher Lloyd debut NYC showcase at Canal Room

On Wednesday night I attended UK Factor alumni Cher Lloyd‘s NYC showcase at Canal Room. I had watched her on the X Factor and not really followed her since, so I was surprised to see that she is apparently already making waves in America. A massive amount of teen girls crowded around the stage while myself, Muumuse, Jon Ali and the rest of the industry folk lingered further back from the stage sipping on cocktails.

Shortly before 8, much to my delight L.A. Reid appeared on stage to introduce her. I had absolutely no expectations of the show but I was impressed by her voice and stage presence.  I was only familiar with the U.S. debut single the super pop I Want You Back, so was excited that she chose to do a cover Robyn‘s Dancing On My Own and Usher‘s OMG. It was a fun night and I think she has the potential to be a success over here.

After the show I was excited to grab a picture with L.A Reid and since the cocktails went down rather well, rather than just thinking in my head “Wow, this man is a legend” I told him “You’re a legend”, I wasn’t a very cool customer, but it was a deserving tribute since he signed and was an integral part of the careers of many of my first music loves like TLC and Mariah Carey.

 

 

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Gossip: A Joyful Noise (Review)

On their fifth studio album, A Joyful Noise, Gossip teamed up with pop production royalty Brian Higgins of Xenomania (Kylie Minogue, Girls Aloud, Florrie)  which I would have found a surprising choice if not for the pop leanings of their near perfect Music For Men album released back in 2010.

The production on A Joyful Noise is highly polished, Higgins is a master of his craft after all. It’s armed to the teeth with brilliantly crafted pop jams on which Ditto’s voice is still the star. She listened to a lot of ABBA in the run up to recording the album, and while there are no direct influences I can pinpoint, many of the songs do have a disco feel. It’s not just throwaway dance music though, even on the really heavy dance tracks Beth’s voice has such an emotional quality you find yourself somewhere between sadness and sheer happiness.

The lead single A Perfect World, a near perfect power pop ballad with an orgasmic blend of  soaring vocals, atmospheric drums and guitars, and subdued synths nicely sets the tone for the album. Then there’s my favorite Get Lost which takes cues from 90s House – including shades of Inner City‘s Good Life – and boasts a familiar infectious dance beat with Ditto’s voice soaring over the top.

The fantastic Get A Job starts off with an unexpected semi rap ‘I’d love to stay and party, but I’ve gotta go to work’ muted guitars and thrashing drums make this into a slick dance number. You can hear Ditto’s frustration from being in a relationship with someone who fed off her, saying ‘It was adorable when you were in your 20′s, it’s not so cute anymore now that you’re pushing 30.’

Shimmering Move In The Right Direction, is in my book an instant classic, Ditto cheerfully sings about finding the motivation to face your fears backed by a stomping beat.

Although the critics are once again going to claim that they’ve abandoned their rock roots in a bid for commercial success, personally I think it’s great that they are not afraid to try different genres, I would likely be bored if they just kept shoving out the same album every two years.

If you’re a fan of expertly crafted pop music and can leave your expectations of previous Gossip material at the door I’m sure you’ll be very impressed. A Joyful Noise is set for release on May 22nd.

If the above stream doesn’t work for you check it out at Gossip’s website. What are your favorite tracks from the stream so far?

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Introducing Rebecca Ferguson

Shockingly this is the first time we are posting about the super talented Rebecca Ferguson, who I was lucky enough to see perform last night at an industry showcase here in NYC. I first became familiar with her while watching the last season of UK Factor over a rather dubious stream from some Brit’s TV!  That season has resulted in many successes including One Direction and Cher Lloyd, but by far the most talented among them is the lovely Rebecca, who released her debut album Heaven in the U.K last year. It has since gone platinum and a U.S. is release is planned for the end of the month.

Arriving to the Edison Ballroom shortly before 8, I found MuuMuse and Jon Ali  enjoying the free cocktails and noshing down on the array of tasty appetizers being served. I quickly got involved in that while we discussed recent pop releases and what we had to look forward to in the next few months. When we saw the band arriving on stage we left our table and shimmied past assorted industry folk to position ourselves at the front of the stage ready for Rebecca. One of the guys from Columbia, who recently signed her in the U.S., introduced her saying that she was ” already drawing comparisons to Aretha Franklin.” Wow, when you say that you’re REALLY setting the bar high! As the night progressed I could see where that comparison stemmed from, her voice does have a similar tone and a timeless quality

She gave a stunning performance of a few tracks from Heaven, including the lead single Nothing’s Real But Love, the emotional ballad Shoulder To Shoulder, the Motown sounding Glitter and Gold, my personal favorite the joyous Run Free, and a flawless cover of Take Care by Drake featuring Rihanna that she also performed on her recently completed U.K. tour. I was really impressed with her powerful voice that soared effortless over the instrumentation.

I recall Rebecca being very shy on X Factor but she has clearly blossomed into a girl who is confident in her immense ability, she had an endearing stage presence and people were quite taken with her Liverpudlian accent! I’m so excited to see her career progress, she has the potential to be huge!

Watch the live performances of Shoulder to Shoulder and Take Care below.

The debut album Heaven drops stateside on May 29th.

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Marina and the Diamonds: Electra Heart (Review)

Like many of you I eagerly anticipated the release of Marina and the Diamonds‘ sophomore album Electra Heart, the follow-up to the spectacular The Family Jewels album released back in 2010. As I’m sure you’ll agree, often times it is a struggle for an artist to match or exceed the brilliance of their debut album, I’m happy to say Marina had absolutley no trouble with that!

On Electra Heart Marina teamed up with a talented set of pop’s finest producers including Greg Kurstin, Liam Howe, Dr. Luke and Diplo many of whom she worked with in LA. Marina is a girl who likes her creative control so she admitted  that she was skeptical about working with American producers who she feared would craft her into an American pop sound, luckily she has successfully managed to avoid that and created an album that is 100% her.

 ♡ S U – B A R B I E – A ♡

Her brilliant American archetypes concept has been the foundation for the album, and she has throughly immersed herself in it, taking on each different persona (Teen IdlesHomewreckerSu-Barbie-A, and The Primadonna) in a series of fabulous images (which can be found on her Electra Heart tumblr) and the acoustic and original videos released for various tracks. It’s all delightfully reminiscent of the fabulous Cindy Sherman who Marina freely admits is an influence.

Marina has a knack for writing accessible but brilliant pop lyrics, and one Electra Heart she effortlessly works within her theme discussing topics like love and popularity through these different archetypes. While these personas are extremes, there is still something very relatable in the lyrics and Marina manages to also remain herself and not merely a character.

 ♡ H O M E W R E C K E R ♡

While the entire album is a delight, a perfect mix of emotional ballad and full on dance numbers that still have a soul, my personal standout tracks are the moody electro banger Power & Control complete with intense beats and twinkly synths,  Living Dead (which was one of the tracks to surface in demo form last year) a frenzied dance stomper on which Marina sings passionately about waiting for your life start, the energetic album opener Bubblegum Bitch which gets things off to a fantastic start, and the heartbreakingly honest ballad Lies which showcases Marina’s immense vocal ability.

Electra Heart is already one of my favorite releases of the year, it’s so refreshing to have an intelligent pop album to listen to!  You can pick it up today on iTunes UK, it’s well worth your investment!

What you heard Electra Heart? Let us know what you think of it when you have!

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Fiona Apple: Every Single Night (Single Review)

When Eliza Dushku’s character Faith was introduced to the smash television series, Buffy The Vampire Slayer, she started off with a massive bang. She was mysterious and clearly a force to be reckoned with. Her attitude was fearless and her blow was lethal. This was not the girl whose bad side you wanted to get on. Because when Faith was scorned, her driving hunger for revenge came from a place so dark that she would make it her mission to completely desolate those who had wronged her.

The same can be said for Fiona Apple. From the moment she released her 1996 masterpiece debut album, Tidal, Fiona asserted herself as a powerhouse presence in the music industry. Here was a young woman with a shattered heart and an unapologetic appetite for vengeance. And not in an Emily Thorne or Taylor Swift #whitegirlproblems kind of way. Fiona’s lyrics were an outlet of raw self-expression – one in which she could both attack and reflect. They were equal parts vulnerable, hurt and angry. Listening to that album, one can almost see the bloodstained knuckles pounding away at the piano as her songs knocked out the men responsible for her internal bruises (check out my list of top ten essential Fiona Apple classics here).

But like Faith, Fiona’s debut did not launch her into a series regular. Instead, she became a reoccurring character who would pop up less and less frequently. Yet each time she did, her swings were just as brutal and were met with feverish applause from critics as well as a rabid nearly cult-like fan following. And even though she would vanish from the spotlight for what seemed each time like an eternity, Fiona would always come back in the last inning with a stake in her hand and an eagerness to punish evil.

After being in musical hibernation since the release of her controversial 2005 album, Extraordinary Machine, Fiona is officially back with her first new material in seven years. Having premiered last week, Every Single Night is the first track to be released off of Fiona’s upcoming fourth album, The Idler Wheel is wiser than the Driver of the Screw, and Whipping Cords will serve you more than Ropes will ever do. And while the record’s 23-word title might feel overly high-strung and like you need to come up for air, its lead single is quite the opposite: simple, mellow and to the point.

On Every Single Night, Fiona’s claws are as sharp as ever. But instead of using them as weapons against another opponent, she redirects them inwardly – as it’s the 35-year-old chanteuse herself who is the catalyst of pain in this scenario.

“The rib is the shell and the heart is the yolk and I just made a meal for us both to choke on,” Fiona laments on the track. “Every single night’s a fight with my brain. I just want to feel everything.”

It’s not just the lyrics that are exposed to showcase the troubled core of Fiona’s situation. Musically, Every Single Night is framed by a skeleton of acoustic instrumentation that does more to guide the melody rather than to carry the song as a whole.

The spotlight on Fiona’s bare vocals evokes a feeling of struggle, almost as though she’s about to topple over. It’s a feeling that masterfully emphasizes the importance of music as a narrative tool, as this minimalist approach to orchestration perfectly compliments the fragile story woven by the song’s somber lyrics.

Every Single Night is not an evolution in sound for Fiona, but it’s certainly an evolution of her character. A song at this level of self-awareness is clearly an indicator of a far more mature songstress. It’s the same type of lesson in growing up as the one Faith learned when Angel helped her rejoin the good side after falling into a dark spell. It’s a lesson that warns against losing sight of yourself and teaches that honest introspection is the only way to begin to improve your faults. Even if that does mean needing to take yourself down a few notches.

Welcome back, Fiona. We’ve missed you.

Fiona Apple’s The Idler Wheel is wiser than the Driver of the Screw, and Whipping Cords will serve you more than Ropes will ever do hits stores on June 19 via Epic Records.

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Ingrid Launch Party at the Bowery Hotel NYC

On Thursday afternoon I had the good fortune to see The Windish Agency post that there would be a launch party for the Ingrid music collective/label with Lykke Li, Miike Snow and Peter Björn and John, and quickly rallied bloggers and real life pals Tastes Like Caramel, Muumuse & NuWavePony to RSVP and check it out with me.

We headed down to The Bowery Hotel shortly after 7pm and upon our timely arrival discovered things were still being set up. On display was a handful of super cool Ingrid merchandise including t-shirts and most excitingly an Ingrd Volume One vinyl featuring new material from some of our favorites. As our group caught up over some drinks, our ears pricked up upon hearing a previously unheard Lykke Li track coming at us over the stereo, and that turned out to be not the only new music we were to hear during the evening!

As the crowd thickened we positioned ourselves at the very front of the ‘stage’ which was marked by a few amps and mics set up on the floor. Shortly afterwards Lykke Li appeared and jumped on decks with Miike Snow and Peter Björn and John members beside her, and threw down some excellent tunes getting the party started. Our group promptly turned into paparazzi, eagerly snapping pics of the talented Swedes, while their band members began tuning their instruments in preparation to play.

Much to our surprise they all took the stage together, starting off with a new track performed by Andrew Wyatt, while the others played behind him. We were then treated to an outstanding performance of Black Tin Box, a track featuring Lykke Li, taken from Miike Snow’s incredible latest album Happy To You. When I caught the band at Music Hall of Williamsburg a few weeks back I was dying for Lykke to come out and sing her part,  it turns out I didn’t have to wait too long to see them all perform it together! It was a stunning performance and I couldn’t believe that we had the best spots on the house to view it, we were so close it was almost uncomfortable, we were practically on the stage!
Just when I thought that performance couldn’t be topped, Lykke announced she would be performing a new song that she had written the day before here in NYC. My jaw hit the floor as she launched into a passionate performance, the song was so very catchy she had us all singing along by the end of it, if that’s not talent I don’t know what is!

That ended the set on a high, they thanked the crowd and headed back behind the DJ booth to spin some more tunes, at which point Brad of Muumuse and I made a beeline for the bathrooms. After meeting again we spotted Lykke coming towards us, at which point I grabbed the opportunity to do the fan girl thing and ask her for a picture, which she kindly agreed to and chatted briefly with us before darting back to the DJ booth. Mission Accomplished!

After a quick bar run we returned to join our friends still camped out at the front of the stage, after a few minutes one of the guys from Peter, Bjorn and John took the mic announcing “We played earlier this evening but since you’re all still standing here, we’ll play again in about 30 minutes”.. and that they did, returning to the stage to play the exact same set they did before which sounded even better the second time around!

You can support this excellent new collective and treat yourself to some killer new music by picking up the Ingrd Volym One vinyl on their website or grabbing it on iTunes.

Be sure to check out the live performance videos and let us know what you think of the new Lykke Li track!

 

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Emeli Sandé Live at Music Hall of Williamsburg (Review)

Last night I headed over to Music Hall of Williamsburg to catch Emeli Sandé‘s debut (non showcase) NYC performance. After running into blogger buddy Jon Ali and catching up over a beer while Yuna performed, we headed upstairs to secure a spot at the front for the main event – Ms. Emeli Sandé‘!

Although she’s a very new name to the U.S. market, performing for the first time on U.S. TV just two days ago on Conan, it was a packed house! Arriving on stage shortly after 9.30, Emeli introduced herself and remarked she wasn’t sure how everyone knew about how her but she was excited to be playing an acoustic set of songs from her debut album Our Verison of Events, which is set for release in the U.S. in June. She told us that the lyrics in her music were very important to her, and that while she wrote the songs based on her experiences, she hoped we would be able to find something relatable in them.

She then launched into a stunning of Heaven back only by sparse instrumentation,  right from the very first note she blew our minds with the power of her voice, and the passion that pours out of her. I had heard great things about Emeli’s live performance, yet still had not anticipated just how flawless her live act would be. She is the kind of performer that when you see them live in their element,  you know that they were born sing, and you just can’t imagine them doing anything else.  During the show Emeli shared how she nearly became a neuroscientist… thank god she chose music.

It was an inspiring evening, in between songs Emeli shared the meanings behind them, and some of her views on life in relation to the songs. Among the song we were treated was the Coldplay cover Every Teardrop Is A Waterfall, which she explained landed her a place opening for them after lead singer Chris Martin heard it, Breaking The Law, which was dedicated to her sister who she would do anything for,  and generated many an “awww” at the sweet sentiment behind it. She took to the piano for Clown, a song about going for what you want in life, which she seems to be excellent at.  At the end of the evening, she left the stage to deafening applause, only to return shortly after and take to the mic saying she hadn’t prepared an encore, which led people to shout their requests and eventually a gorgeous peformance of Maybe which was the perfect end to an amazing evening.

If you have not yet checked out Emeli, I encourage you to give a listen to her debut album Our Versions of Events, it will surely blow your mind! You also must see her live whenever you get the chance, she’s going to blow up very soon in the U.S.!